Posted: May 8th, 2015

American Studies Essay

 

This open-book take-home exam will focus on FOUR of your reading assignments: Anne Moody, Coming of Age in Mississippi; Allen Ginsberg, Howl and Other Poems; Mary Crow Dog, Lakota Woman; and Matthew Avery Sutton, ed., Jerry Falwell and the Rise of the Religious Right.Use pertinent lecture material to enhance your analysis of the reading assignments and be mindful of the interconnections between race, gender, and class as you analyze historical change.You should include one well-developed example from each book. (This includes a well-developed example from at least one of the sources in Sutton.)

Your paper must be no longer than 4 pages, typed, double-spaced, and using 12-point font, and one-inch margins. Additionally, you must limit quoted material from the reading assignments to leave enough room for analysis. Any quoted material MUST include a page number and author’s last name: for example, (Moody, 136

 

 

THIS ARE THE TWO PROMPTS, YOU CAN CHOOSE ONE OF THEM BUT IN BOTH YOU HAVE TWO ADRESS 4 BOOKS AS IT SAYS ABOVE AND FROM THE SUTTON READINGS AS WELL.

 

  1. Popular songs, such as “Rock Around the Clock” (Bill Haley & His Comets, 1954) and “My Generation” (The Who, 1965) celebrated youthful cultural autonomy. Similarly, grassroots social movements, such as the Student Nonviolent Coordinating Committee, were sites of autonomous youthful political activism. Using Moody, Ginsberg, Crow Dog, and an essay of your choice in Sutton, please analyze selected examples of youthful autonomy in conjunction with generational conflict. In other words, how did youthful independence triggerthe so-called “generation gap” between parents and their children?How (if at all) did race, gender, and/or class shape these expressions of autonomy and conflict?

 

 

  1. From “the going steady complex” to the grassroots movement against sex education, virtually all aspects of American life related to sexuality—such as courtship, reproduction, sexual orientation, sex roles, birth control, censorship, sexual contact, and representations of sexuality in popular culture—have been major minefields for social and cultural change. How have issues of sexuality and/or sexual control been expressed in grassroots activism, “personal” politics,” and/or traditional legislative politics from the postwar period through the 1970s? What historical generalizations about the broader “sexual revolution” can you draw from your analysis?

 

 

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