Posted: December 22nd, 2014

musical Historical Context: Musical Appropriation, Listen to This ? Chapter 20, p. 177;

musical

Historical Context: Musical Appropriation, Listen to This ? Chapter 20, p. 177;

The Golijov Issue: Borrowed Music or Stolen, New Yorker, posted 2/21/12 – https://www.newyorker.com/online/blogs/culture/2012/02/osvaldo-golijov-sidereus.html;

Composer?s originality questioned by critics, Eugene Register-Guard: https://projects.registerguard.com/web/newslocalnews/27631265-41/golijov-music-ward-bergeman-

composer.html.csp

Strategies for Fair Use ? Purdue Online Writing Lab: https://owl.english.purdue.edu/owl/resource/731/1/.

In your textbook, Mark Evan Bonds describes Musical Appropriation as the use or adaptation of a work to serve something other than its original purpose. This is a

practice that been well documented in the past and continues to this day with sampling.

After reading these articles, consider the following questions: Under what conditions do you think it might be ethical to appropriate someone else?s work for your own

compositions? Do you consider Oscar Golijov?s use of Michael Ward-Bergeman?s music within his own composition to be ethical? Explain.

Provide a musical example of your own that you think represents a form of musical appropriation. Be sure to note at what point in the music this happens. Also describe

what the original source of the music is, and how this new setting differs from the original.

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